About Yasmine · Sentire Occulta

Yasmine Del Maro veiled in amethyst and gold, photographed among ancient columns

She Who Walks Between A life made of movement, rite, and image

I am a woman of art, of movement, and of the old work. I am not a teacher, and I will not call myself one. I want to show you my ways: to let you see the world through my eyes and through my lens. The dance, the rite, and the image are one practice for me; three doors into the same room.

For over two years I have dedicated my life to working closely with Lilith, and in that beautiful process of growing I have begun to work with other dark mothers too: Sekhmet, Hekate. I embraced it, and I find beauty and peace in it. I photograph women becoming themselves. I do not choreograph rituals; I assist in the reaching out.

I am a student of the author, historian and occultist Baal Kadmon. I am on my way back to the source, to release what I once was, and what I was made for.

The art is the rite, and the rite is the art. Welcome.

✦ Yasmine Del Maro ✦

Founder · Sentire Occulta

✦ Tria Ostia · Three Doors ✦

One Practice, Three Doorways

I do not separate the dancer from the witch, from the photographer. They are the same woman, walking the same threshold by three different doors.

The Dance

Devotion in motion

The body remembers what the mind has agreed to forget. I show movement as liturgy (the spiral, the veil, the trance) until prayer stops being a posture and becomes a way of standing in the world.

The Rite

The old work, embodied

Ritual is not performance and it is not belief: it is technology for becoming. I work with the dark feminine across traditions, not as costume but as living relationship. Names that were buried, called back by women who need them.

The Image

Witnessed, and kept

I photograph women becoming themselves. The lens is a witness that does not flinch, and the image it keeps is proof. You leave a session not with a picture of how you looked, but of who you have always been.

✦ Opus · The Work ✦

What I Believe the Work Is For

I do not teach women to become someone new. There is no new woman to become. The work is subtraction, not addition: the slow removal of every voice that taught you to make yourself smaller, quieter, more convenient. What remains when those voices fall silent is not a stranger. It is you, finally unspoken-for.

The work is not to become her. The work is to remember that she has been here all along, waiting.

I keep my circles small on purpose. This is not content; it is contact. Whether you come to me through a course, a retreat in the hills where the veil is thin, or a private rite held in candlelight, you will be met by a real person who has walked the path she is asking you to walk.

Who This Is For

For women who feel the old thing stirring and have run out of patience for being told it is nothing. For the dancer who suspects her body has been praying all along. For the one who is tired of the bright, sanitised, self-help version of the sacred and wants the dark, exact, demanding real thing. If that is you, you already know. Come closer.

Yasmine Del Maro